The Protune is still H264, 8 bit but now allows 24P (23.98) recording.Here are the key highlights of the Protune format and CineForm in general: But for those of you who have even had to match together a bunch of cameras from a bunch of different colorspaces and gammas – that included GoPro – the world just shifted in a very pleasant and unexpected way. Now we should start by saying that those who love shooting and immediately posting, this workflow is an alternative, nothing has been lost. David is an expert in video compression, image processing and a self professed “3D/stereoscopic/multi-cam geek”. ( Stu will no doubt be separately discussing the grading of GoPro 3 footage at Thanks also to GoPro’s Senior Director of Software Engineering (p.k.a. ![]() Click to enlargeīelow is a summary of the key points – for more watch this week’s fxphd BKD class 02- which shows GoPro Hero3 clips and grading – thanks to our good friend Director, Stu Maschwitz, who filmed with the Hero3 the morning after the launch on San Francisco Bay. While much of the popular press may focus on the jump to 4K, we wanted to flag the incredible shift from being a ‘straight to YouTube’ camera to a camera that now also offers a very real alternative for those wanting to intercut GoPro footage – a pipeline that assumes there will be grading, that there will be post, and outputs from the camera in a format that lets you maximize both. And now with the Hero3 these specifications have jumped again. (Not to mention remote control from your iPad!). This new camera is really amazing, for its price, its performance, its resolution and its incredible ability to allow camera to go literally anywhere.īut the mid-week launch did somewhat overshadow the amazing advances from the week before that the CineForm division of GoPro announced, namely log output, with 24P at much higher bit rates. Sony S-Gamut3 Cine – S-Log3 to Rec709.This week the GoPro Hero3 was launched. Sony S-Gamut3 Cine – S-Log3 to DCI P3.cube Sony S-Gamut3 Cine – S-Log2 to Rec709.cube Sony S-Gamut3 Cine – S-Log2 to DCI P3.cube Sony S-Gamut3 Cine – Cine4 to Rec709.cube Sony S-Gamut3 Cine – Cine4 to DCI P3.cube REDWideGamutRGB – Log3G10 to Rec2020.cube ProTune Native – ProTune Flat to Rec709.cube ProTune Native – ProTune Flat to DCI P3.cube Panasonic V-Gamut – Panasonic V-Log to Rec709.cube Panasonic V-Gamut – Panasonic V-Log to DCI P3.cube We offer conversion LUTs for following Log formats:Īlexa Wide Gamut – Alexa V2 Log C to DCI P3.cubeĪlexa Wide Gamut – Alexa V2 Log C to Rec709.cubeĪlexa Wide Gamut – Alexa V3 Log C to DCI P3.cubeĪlexa Wide Gamut – Alexa V3 Log C to Rec709.cubeīMD Film 4K Gamut – BMD Film 4K to DCI P3.cubeīMD Film 4K Gamut – BMD Film 4K to Rec709.cubeīMD Film 4K V3 Gamut – BMD Film 4K to DCI P3.cubeīMD Film 4K V3 Gamut – BMD Film 4K to Rec709.cubeīMD Film 46K Gamut – BMD Film 46K to DCI P3.cubeīMD Film 46K Gamut – BMD Film 46K to Rec709.cubeīMD Film 46K V3 Gamut – BMD Film 46K to DCI P3.cubeīMD Film 46K V3 Gamut – BMD Film 46K to Rec709.cubeīolex Wide Gamut – Bolex Log to DCI P3.cubeīolex Wide Gamut – Bolex Log to Rec709.cubeĬanon Cinema Gamut – Canon Log 2 to DCI P3.cubeĬanon Cinema Gamut – Canon Log 2 to Rec709.cubeĬanon Cinema Gamut – Canon Log 3 to DCI P3.cubeĬanon Cinema Gamut – Canon Log 3 to Rec709.cubeĬanon Cinema Gamut – Canon Log to DCI P3.cubeĬanon Cinema Gamut – Canon Log to LC709A.cubeĬanon Cinema Gamut – Canon Log to Rec709.cubeĬanon DCI P3 Plus – Canon Log 2 to DCI P3.cubeĬanon DCI P3 Plus – Canon Log 2 to Rec709.cubeĬanon DCI P3 Plus – Canon Log 3 to DCI P3.cubeĬanon DCI P3 Plus – Canon Log 3 to Rec709.cubeįujifilm F-Log Gamut – Fujifilm F-Log to DCI P3.cubeįujifilm F-Log Gamut – Fujifilm F-Log to Rec709.cube This means if your footage is in Log you should use one of the Log to Rec.709 LUTs found within your package to first normalise the footage. ![]() This includes all Raw, DNG, Tiff and JPG files, processed with Adobe Photoshop, Adobe Lightroom, Capture One and other software.įor filmmakers, you should normalise your footage prior to applying one of our creative 3D LUTs. This means, is camera agnostic.įor still photographers as long as you use 3D LUTs with images of a normal contrast range and white balance, it will work. ![]() To increase the flexibility of the creative process, all of our 3D LUTs are decoupled from any Log to Rec.709 conversions.
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